A. Shahid Stover is the most formidable existential philosopher and Black radical thinker writing outside of the academic establishment today.
Stover has authored several works including EPISTEMIC RUPTURES, INSURGENT PHILOSOPHY (2022), a philosophical refusal to limit the horizon of emancipatory thought to the academic systematization of specialized knowledge; BEING AND INSURRECTION (2019), an unapologetic philosophical polemic against the biopolitical pacification of human agency by western imperialist power; and HIP HOP INTELLECTUAL RESISTANCE (2009), an engagement with Hip Hop aesthetics as Black cultural resistance to racist dehumanization. Stover's insurgent philosophical orientation of existential liberation critique reveals a radical questioning of the human condition, in correspondence with socio-historical struggles of human liberation, that builds upon original interrogations of the emancipatory thought of Frederick Douglass, Jean-Paul Sartre and Frantz Fanon.
The undaunted consistency of polemical edge, intellectual rigor and emancipatory relevance that define Stover's philosophical endeavors makes his thought indispensable to a growing global readership of artists, activists and academics. Derrick Bell, the late civil rights lawyer, academic and ‘father’ of Critical Race Theory, claimed Stover's thought “makes what I'm writing seem so mid-twentieth century.” Daryle Lamont Jenkins, grassroots social activist and founder of ONE PEOPLES PROJECT, regards Stover as “an outlaw philosopher baadass from New York's radical Black leftist intellectual underground.”
After studying Education and History as Coastal Carolina University and Journalism at the University of North Carolina-Chapel Hill, Stover changed course and embarked on the life of an intellectual outsider by leaving the academic world to pursue his literary endeavors as a freelance journalist for The Carolina Times, (one of the oldest independent Black newspapers in America).
Stover moved to New York City in 2001 and freelanced for The Source Magazine of Hip Hop Music, Culture and Politics before eventually launching The Brotherwise Dispatch as a progressive Hip Hop webzine that by 2004 had radically transformed into an independent quarterly journal of Theory, Critique and Aesthetics.
Areas of Interest
Existential Philosophy, Black Liberation Discourse, Critical Theory, Emancipatory Aesthetics, Anti-Imperialism, the Black Radical Imagination, Art and Social Justice, Intellectual Engagement, Hip Hop Culture
Links / Articles
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Slave Revolt and Black Subjectivity as Exceptional Antagonism
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Palestinian Resistance, South African Solidarity and the Geonational Horizon